Secular Immortality and Cinema

Two films recently have been very similar (and this afternoon I saw the second, even though it’s been out for some time). Elysium and In Time are very similar. Both feature a totalitarian control on magically efficient health care. In both access to this is highly restricted. In both of them health (or immortality) access is highly restricted. Why? Population pressure is explicitly mentioned on one, but it is not clear that this is the problem they might pretend. As an extreme, Michael Moorcock’s Dancers at the End of Time are all immortal by a technology long lost and long forgotten. Our hero in that story is unusual, he’s the only person alive who was “born”.   Continue reading →